A fashion consists of a current (constantly changing) trend, favoured for frivolous rather than logical or intellectual reasons. Although frequently applying to clothes and to other aspects of appearance, fashion can apply to music, art, politics and even mathematics and the choice of programming techniques. Fashion exists in the interstices of aesthetics with innovation.
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2 Fashion and the Process of Change 3 Fashion and Status 4 Classification of Fashions 5 See also: |
Fashion and Variation
Fashion in clothes has allowed wearers to express emotion or solidarity with other people for millennia. Modern Westerners have a wide choice available in the possible selection of their clothes. What a person chooses to wear can reflect their personality or likes. When people who have cultural status start to wear new or different clothes a fashion trend may start; people who like or respect them may start to wear clothes of a similar style.
Fashions may vary significantly within a society according to age, social class, generation, occupation and geography as well as over time. If, for example, an older person dresses according to the fashion of young people, he or she may look ridiculous in the eyes of both young and older people. A fashion viction is a someone who slavishly follows the current fashions (implementations of fashion)..
Fashion and the Process of Change
Fashion, by definition, changes constantly. The change may proceed more rapidly than in most other fields of human activity (language, thought, etc). For some, modern fast-paced change in fashion embodies many of the negative aspects of capitalism: it results in waste and encourages people qua consumers to buy things unnecessarily. Others, especially young people, enjoy the diversity that fashion brings, seeing the constant change as a way to satisfy their desire to experience "new" and "interesting" things.
Materially affluent societies offer a variety of different fashions, in clothes or accessories, to choose from. At the same time there remains an equal or larger range designated (at least currently) 'out of fashion'. (These or similar fashions may cyclically come back 'into fashion' in due course, and remain 'in fashion' again for a while.)
Practically every aspect of appearance that can be changed has been changed at some time. In the past, new discoveries and lesser-known parts of the world could provide an impetus to change fashions based on the exotic: Europe in the eighteenth or nineteenth centuries, for example, might favour things Turkish at one time, things Chinese at another, and things Japanese at a third. The global village has reduced the options of exotic novelty since.
Fashion houses and their associated fashion designers, as well as high-status consumers (including celebrities), appear to have some role in determining the rates and directions of fashion change.
Fashion and Status
Fashion can suggest or signal status in a social group. Groups with high cultural status like to keep 'in fashion' to display their position, people who do not keep 'in fashion' can be shunned (see also peer pressure). Because keeping 'in fashion' often requires considerable amounts of money, fashion can be used to show off wealth (compare conspicuous consumption). Adherence to fashion trends can thus form an index of social affluence and an indicator of social mobility.
Fashion can help attract a partner. As well as showing certain features of a person's personality that appeal to prospective mates, keeping up with fashion can demonstrate a person's status.
"Fashion sense" consists of the ability to tell what clothing looks good and what clothing doesn't. Since the entire notion of fashion depends on subjectivity, so does the question of who possesses "fashion sense". Some people style themselves as "fashion consultants" and charge clients to help them choose what to wear.
Classification of Fashions
Modern Underground Fashion:
Cyberpunk fashion, Punk fashion, Gothic fashion, Death rock fashion, Black metal fashion, Industrial fashion, BDSM fashion.
See also:
Further Reading
